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Henry IV, pt 1
by Shakespeare

Henry IV, Part 1
ACT II. SCENE IV. 244-245
Fal. 'Sblood, you starveling, you elf-skin, you dried
neat's-tongue, you bull's pizzle, you stockfish- O for breath
to utter what is like thee!- you tailor's yard, you sheath, you
bowcase, you vile standing tuck!

(pizzle = penis)

 


Henry VIII
by Shakespeare

ACT V. SCENE 4. 31-37
PORTER. What should you do, but knock 'em down by th' dozens? Is this Moorfields to muster in? Or have we some strange Indian with the great tool come to court, the women so besiege us? Bless me, what a fry of fornication is at door! On my Christian conscience, this one christening will beget a thousand: here will be father, godfather, and all together.

 


Taming of the Shrew
by Shakespeare


ACT IV. SCENE I. 26-28
CURTIS. Away, you three-inch fool! I am no beast.
GRUMIO. Am I but three inches? Why, thy horn is a foot, and so long am I at the least.

 

 


Romeo and Juliet
by Shakespeare


Act II Scene IV 88-101
Mer. Why, is not this better now than groaning for love? Now art thou sociable, now art thou Romeo; now art thou what thou art, by art as well as by nature. For this drivelling love is like a
great natural that runs lolling up and down to hide his bauble in a hole.
Ben. Stop there, stop there!
Mer. Thou desirest me to stop in my tale against the hair.
Ben. Thou wouldst else have made thy tale large.
Mer. O, thou art deceiv'd! I would have made it short; for I was come to the whole depth of my tale, and meant indeed to occupy the argument no longer.
Rom. Here's goodly gear!

(bauble = penis; tale = erection)

 


Anthony and Cleopatra
by Shakespeare

Act II Scene VI 90-95
MAECENAS. Welcome, dear madam.
Each heart in Rome does love and pity you;
Only th' adulterous Antony, most large
In his abominations
, turns you off,
And gives his potent regiment to a trull
That noises it against us.

Act II Scene 2 227-29
AGRIPPA. Royal wench!
She made great Caesar lay his sword to bed.
He ploughed her, and she cropp'd.

 


Much Ado About Nothing
by Shakespeare

Act III Scene III.
Bora. Seest thou not, I say, what a deformed thief this fashion
is? how giddily 'a turns about all the hot-bloods between
fourteen and five-and-thirty? sometimes fashioning them like Pharaoh's
soldiers in the reechy painting, sometime like god Bel's priests
in the old church window, sometime like the shaven Hercules
in the smirch'd worm-eaten tapestry, where his codpiece seems as massy as his club?

 

 

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